The work consists in a series of exploratory articulations between libretto (in its multilingual rendering), procedures for machine speech analysis/re-synthesis and computer music. Its conceptual point of departure is an original text of libretto written by Helen Hester and Katrina Burch (aka yoneda.lemma) from Laboria Cubonics collective and Virginia Barrett of VNS Matrix.

Navigating through an unremitting convergence of signic (what’s said?) and sonic (what’s heard?) the listener becomes challenged to reconstruct and integrate this multiplicity of registers and to reveal various interlacings between domains of cognitive speech processing, perception of synthetic sound, politics and technology. As such (dia)grammatology of space should be considered not in its ostensible autonomy - as a product of artistic fabrication - but in its singular power to explore, contribute, rearrange and destabilize the configurational relations between parameters of thought, imagination and material constraints that structure and parameterize the knowledge space.